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Ken:
I learned “equitempered scale” in a music
class today. Dad, you told me about an octave the other
day so what the teacher explained in the class was very
familiar to me. In these days, it represents “twelve
equitempered scale” which divides one octave into twelve
notes. There was a variety of equitempered scales before
today’s style. It is said that there was even a “360
equitempered scale”.
Dad:
I have never heard it before. What is specific with it
is there are no less than 30 notes between each
semitone. I wonder if it makes music up. “Twelve
equitempered scale” is an equally divided equitempered
scale dividing an octave with an integral number and
make the resultant note to be the smallest unit. You can
play music in the same way even if you put off music by
a semitone on a keyboard, or put capotasto on a guitar
because the ratio of frequencies is kept as it is.
Ken:
You can do transposition or modulation in the
“twelve equitempered scale” and it is very convenient to
make a musical instrument and play music. The teacher
also told us about just temperament. Any pitch of sounds
in just temperament has frequencies of notes which are
related by whole number ratios. So the summational
augmented chords sound harmonious. Chords of
equitempered scale sounds cloudy somehow, the teacher
said, though I don’t know well.
Dad:
Why the frequencies of just temperament have simple
ratio of integral numbers is that it is the rule of
nature, not the one which was made artificially for
making instruments as twelve equitempered scale. The
frequencies of two sounds whose combination a man feels
easy are related by whole number ratios. The combination
of sounds has close relationship with “harmonic
overtone” which is very effective to “tone”.
Ken:
What do you mean by “harmonic overtone”?
Dad:
If you flip the guitar with your finger on a 12 fret,
the center of the string, it makes a very pure sound.
Ken:
Harmonics play, isn’t it? I know what it is as I
started to learn guitar. But how does it sound that way?
Dad:
Look at the string of a guitar closely when you play the
guitar with harmonics. Looking at it, the string
vibrates in a peculiar manner. The center you put a
finger on does not vibrate at all even after releasing
your finger off it. The strings on both sides vibrate
making two waves. In playing harmonics with 12 fret, it
sounds one octave higher than playing with open string.
12 fret is just a half of a string or double sound and
is one octave higher.
Ken: If you play
harmonic sound with shorting a string by one third, can you sound three
octaves higher?

Dad:
It is not right. In an octave, each frequency becomes
double. What is one octave higher than 500Hz is 1000Hz
and the one another octave higher is 2000Hz… If you play
with 7 fret of one third, it sounds three times sound.
This has a relation of perfect fifth with open string
sound. If it is 5 fret of one forth, it would be four
times sound. This is two octaves higher.
Ken: Perfect fifth?
Dad:
In a ratio of pitch whose proportion of one part to two
(1:2) for example, if you assume “1” for “Do”, “2”
represents “Do” one octave higher. In a proportion of
one part to three (1:3), “3” corresponds to “So” one
perfect fifth higher. The frequencies of notes related
by whole number ratios make harmony. The open sound of
5th string of a guitar is “A” or “La”. When you flip the
string, it sounds 110Hz. But actually there are not only
110 Hz but also frequencies of notes related by whole
number ratios against tonics such as twice, three times
or four times of 110Hz. This harmonic overtone is
included not only in instrument sound but also voice of
human, sound of vehicles and all natural sounds.
Ken:
Is sound different depending on how harmonic overtone is
included?
Dad: Yes. That is to
say, distinctive tone each sound has It says sound with lot of harmonic
overtone has a stiff and bright impression and sound with less harmonic
overtone sounds rounded and hollow. Sound with only tonic which has no
harmonic overtone included is called sign curve and it shapes wave
pattern of sign chart displayed on an oscilloscope. In nature, it is
rare that only one harmonic overtone factor out of complex sound given
out from one source of sound is emphasized. So if there is an emphasized
overtone in a room for example, a man recognizes it as a sound from
another source. This is a key to explain cocktail party phenomenon.
Ken: Cocktail party
phenomenon?
Dad: I leave it for
next time.
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Equitempered scale is a prosody
which equally divides one octave into twelve tones.
So X, in the formula of X12=2 is to be that rate.
The X equals 1.059463094…. It is easy to understand
if explained financially that it will be twice as
large as a capital at a 6% annual rate in 12 years.
See comparison to the rate of just temperament
below. For example, sound “Mi” which is 1.25 times
than “Do” of tonic in just temperament is to be 1.26
times in equitempered scale and there is approx.
0.8% difference. Cloud of harmony in equitempered
scale results from the difference.
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“Re” 9/8 =1.125 |
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X to the two power = 1.122462047 |
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X to the four power = 1.259921048 |
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X to the five power = 1.334839851 |
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X to the seven power = 1.498307073 |
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X to the nine power = 1.681792825 |
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X to the eleven power = 1.887748618 |
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X to the twelve power = 2 |
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